The birth of the Arts and Crafts movement in Britain in the late 19th century marked the beginning of a change. Learn about its history and the people that influenced the movement.
The Arts and Crafts Movement was begun over 150 years ago in Britain by architects, artisans, and designers. The mid-19th century was a tumultuous time, especially in Great Britain where industrialization was changing forever what was primarily a rural, agricultural way of life, and many recognized that while there were positive benefits there was a significant loss of a way of life that had been part of their heritage for generations.
The first to write about this, and to engage with how to make a meaningful change, was A.W.N. Pugin who in Contrasts compared the peace and harmony of a medieval city with the squalor and corruption of the 19th century metropolis in order to point out the evils of the Industrial Revolution. He made the crucial connection between art and society, equating bad art and architecture with a corrupt and diseased society. And in his own work on the glorious Houses of Parliament and many Catholic churches up and down the country, he put those ideas into practice.
“William Burges responded to these changes in ways that have created some of the most beautiful buildings and objects of the past two centuries.”
John Ruskin immediately took on this idea and championed the redemptive power of fine art and architecture to inspire people to good deeds, which he felt would inevitably lead to a good life. In turn he influenced William Morris who in his writings and poetry idealized the medieval past as a time when men worked at their own crafts with a degree of independence and those in charge were noble and honorable knights. Together with Dante Gabriel Rossetti, Edmund Burne-Jones, and Philip Webb, he set up a company which insured that there were items for the home which were beautiful and beautifully crafted if not, unfortunately, always affordable to all.
Others agreed with Morris that what was lost could best be addressed by returning, in terms of the domestic arts, to the ways in which artisans worked during the Middle Ages – collaboratively, collectively, and within guilds. Architects and designers such as Pugin, William Morris, Edwin Lutyens, Philip Webb, C.F.A. Voysey, and William Burges responded to these changes in ways that have created some of the most beautiful buildings and objects of the past two centuries.
Morris later came to believe that the equation was weighted the other way: unless there was honor, equity, and fairness in the world there would be no good art, but in his early writings and in the example of the work of Morris and Company he helped perpetuate the belief in the ability of art to transform and improve society. This attitude became an enormously strong influence on many Arts and Crafts architects and craftsmen, and continued to inspire artists well into the twentieth century. Even today these ideals and ideas continue to have resonance.
Places of the Arts and Crafts Movement
Christ Church Cathedral is one of the smallest cathedrals in the Church of England The cathedral was originally the church of St Frideswide’s Priory. The site was historically presumed to be the location of the nunnery founded by St Frideswide, the patron saint of Oxford, and the shrine now in the Latin Chapel, originally containing […]
Founded in 1868 in memory of John Keble, one of the members of the Oxford Movement, the college was committed to a High Church tradition and ‘simple, economical living’ which led it to be known as a ‘gypsy college’ despite having mainly middle class scholars. William Butterfield (1814-1900) was the original architect who designed the […]
In Manchester College you will see twelve wonderful windows by Morris and Company installed in the 1890’s. Among them are three figures – Truth, Liberty, and Religion – which Burne-Jones specifically designed for Manchester. The colored sketch for this window is at Wightwick Manor. Burne-Jones designed the remaining windows, with the exception of two by […]
The Old Library of the Oxford Union – the debating society of Oxford University – was established in 1825. In 1857 it became the setting for what is sometimes described as a second Pre-Raphaelite Brotherhood, as seven artists worked together on a series of murals. This project was organized by Dante Gabriel Rossetti, who by […]